jackherizsmith.com — five editor directions

Studio's chrome and structured artboard, with the Whiteboard's life scattered around it on the canvas — stickies, a hand-drawn arrow, v1 pinned up for humility. And Jack is no longer decoration: he potters about the file, selecting things, muttering in cursor chat, straightening his stickies.

Notice: select something and Jack comes over to look, his live status in the inspector's Collaboration section, the sticky he tidies.

The Figma-grade design tool. Light chrome, layers panel, inspector — and your 2019 site sits on the canvas as a locked, greyed-out "v1" artboard beside the draft.

Notice: the v1 → v2 story told as artboards, the drifting "Jack" collaborator cursor, the rotation handle.

A video-editing suite. The portfolio is the programme monitor; your career is literally the timeline along the bottom, with a playhead crawling through it.

Notice: the career-as-timeline tracks, colour wheels and scopes, the running timecode, amber camera-bracket selection.

1993, one bit, MacPaint. Pinstriped title bars, a dithered desktop, marching-ants selection and a proper tool palette. Pure charm, endlessly screenshot-able.

Notice: drag the windows around, the marching ants, and press "Publish…" for a classic alert box.

tldraw/FigJam energy. The portfolio isn't a page at all — it's a spatial board of cards, sticky notes and hand-drawn arrows, with a floating toolbar and minimap.

Notice: the non-linear layout, the marker scribble around "Get in touch", the style panel reacting to selection.

Desktop publishing, circa QuarkXPress. Your site as a magazine spread on a pasteboard — crop marks, cyan and magenta guides, a baseline grid, CMYK swatches.

Notice: selection dimensions read out in millimetres, the Didot masthead, the barcode ("free · forever").